Palpitating Still Photography and places the material as

and places the material as a substitute for flesh

My work explores uncertainty and adaptation

With 'Je Ne Me Soucie Pas De' the custom form of the work is dictated by the structure of language

and adaptation

Displayed behind a used piece of clear acrylic with it's own imperfections

Palpitating Still Photography and places the material asPalpitating Still is continuation of my work with imagery of anatomical hearts, which began in 2017. I freeze the glass hearts before firing them in my kiln. The gesso hearts bring to life a material often overlooked. I also give a second change to vintage plates. In a world wounded by war, climate crisis, and economic instability, I created this piece with the coziness of a grandmother's house in mind: kitsch plates on the walls, cake, warmth,