Takashi Murakami: Superflat Point B this Limoges porcelain plate reproduces

this Limoges porcelain plate reproduces Basquiat’s painting The Mechanics That Always Have a Gear Left Over (1988)

were inspired by his training in nihonga (traditional Japanese painting) and share its focus on natural forms

Jonas Wood produced this vivid twenty-seven-color lithograph with Cirrus Editions in 2022

the artist constructed systems and signs to highlight and investigate the mechanics of human perception and knowledge

The exhibition showcased Boafo’s striking large-scale portraits of his friends

Takashi Murakami: Superflat Point B this Limoges porcelain plate reproducesThis is the revised edition of the exhibition catalogue published on the occasion of Takashi Murakami: Superflat, an exhibition that premiered in Tokyo and Aichi, Japan, in 2000, before traveling in an expanded form to Los Angeles, Minneapolis, and Seattle in 2001. Superflat was the first of three related exhibitions curated by Takashi Murakami exploring his theory of art. Murakami coined the titular term to discuss a lineage of Japanese visual